Built inside a working publishing house
Your publishing house,all of it,in one place.
From the submission that just landed to the royalty statement you sign when the year closes. With an intelligence that reads manuscripts in full and leaves the decision to you.
14 days · nothing is charged today · cancel whenever you like
The platform from the inside. Sample data.
What the engine has read so far
0146,838
words per manuscript, on average
The whole book. Not the first twenty pages.
- 5,152,226
- words read to date
- 17.0
- minutes per analysis
- Against the months a submission spends in the pile.
- 1
- in 2 analyses ends up on an editor's desk
- Bookloft proposes. You decide.
Live from the platformFigures measured on the platform on 2026-10-27.
What stops living apart
02A small publishing house spends more hours reconciling figures than reading.
The royalties spreadsheet
Statements that calculate themselves
The shared folder of submissions
Selection, with the reading already done
The metadata sheet you copy by hand
Catalogue with ISBN, Thema and ONIX
The notebook of press contacts
Publicity, with its own history
The email thread with the printer
Print runs, delivery notes and stock
The other spreadsheet, the stock one
Warehouse
Contracts in a folder
Legal, with its dates and its tiers
It is not an organisation problem. It is a tooling problem.
From the pile to the payout
03A manuscript comes in here and leaves as a book that pays its author.
Three acts and nine stops on one platform. Every step keeps the thread of the last, so nobody retypes what was already there.
One window: the module changes, the software does not.
Sample data
The intelligence
04It reads the whole book. And it tells you why.
It doesn't summarise: it analyses. It scores dimension by dimension, quotes the text behind every judgement, and states its confidence. When it isn't sure, it says so and hands the book to you.
49/105
Analyses handed to a human editor, out of the total analysed.
Each spine is an analysed manuscript. The light ones went up to an editor's desk.
- Bookloft proposes; you decide
- One in 2 analyses ends up on an editor's desk because the system isn't confident enough. That isn't a flaw in the design: it is the design.
- Your manuscripts don't train models
- Not yours and not your authors'. They arrive, they get analysed, and they stay exactly where they were: inside your house.
- Every judgement, with its quote
- No score travels alone: it always comes with the passage that supports it. So you can argue with it, which is what being the editor is for.
Contents
05And everything around the book, under the same roof.
Day-to-day work is in every plan. What changes between plans are the quotas, the seats and the branding, not the tools.
It speaks the trade's language
- ONIX 3.0
- Thema
- Metadata feeds
- ISBN
- Stripe
- Holded
- Shopify
- Import from Excel and CSV
Who is behind it
06This wasn't built by a software company.
Bookloft was built inside Durii Editorial, and every module was used there before it was sold to anyone. The analysis engine was written because there was a pile of unread submissions. The royalty statements, because reconciling them by hand took days of work every year.
That has a practical consequence: when something in the craft doesn't fit the software, the software is what changes.
Durii is Bookloft's first customer, not its owner. The platform is built for many publishers, and no way of working is imposed.
Getting started
07Your catalogue comes in on day one. And leaves with you if you ever go.
Bring what you already have
It lives in a spreadsheet, an ONIX file or DILVE. Wherever it comes from, it is imported, checked against what you already have and kept. No starting from scratch.
Your data is yours
- We do not train models on your manuscripts.
- Each publisher sees its own data and only its own.
- Files are stored encrypted, with every access logged.
- If you leave, you take your catalogue and your data.
Pricing
08Clear, and with no call first.
Excluding VAT. Change plan whenever you like and the difference is prorated.
Before you start
09What people usually ask.
- Does the trial ask for a card?
- Yes, it is asked for up front, but nothing is charged today. You have fourteen days to decide; cancel before then and there is no charge at all.
- My house works its own way. Will it fit?
- Bookloft doesn't impose a way of working. Royalty tiers, settlement periods, sales channels, VAT and advances are configured per publisher. What one house does is not the rule for the rest.
- Can I use my own AI keys?
- On Estudio and Publishing group, yes: analyses run on your key and the cost is yours.
- Do my authors get access too?
- Yes, each with their own panel: their sales, their statements, their materials and their calendar. You stop writing emails to tell them what they could already see.
- And if I want to leave?
- You take your catalogue and your data with you. No lock-in and nothing to buy back.
- How long does it take to get running?
- Importing the catalogue and setting up the team is an afternoon's work. What takes longer is deciding how you want it to work, and that's what we're here for.
Fourteen days to test it with your own books.
Upload a manuscript and let it read. Import twenty books. Produce a royalty statement. That will tell you.
14 days · nothing is charged today · cancel whenever you like